Subscribe

Sign up for free

  • Get quick access to your favorite articles

  • Manage alerts on breaking news and favorite drivers

  • Make your voice heard with article commenting.

Autosport Plus

Discover premium content
Subscribe
Steve Etherington
Autosport Plus
Formula 1 Monaco GP
Special feature

How an unorthodox Monaco photography challenge yielded memorable results

As he prepares to hang up his lenses after
covering nearly 600 grands prix, award-winning sports photographer STEVE ETHERINGTON – aka
‘The Swan’ – set himself a major challenge: to shoot the Monaco Grand Prix on a Hasselblad medium-format portrait camera…

Anybody can take a picture nowadays. You probably spend more time ‘capturing’ (to use contemporary parlance) with your phone than speaking on it. The time is long past when you’d send film to be processed and hope that the prints would arrive without unsolicited advice notes (“Try using flash”) stuck to the results.

Digital technology has changed professional photography too. The Canon EOS R5 MkII can shoot up to 30 frames per second, enabling pro snappers to be more experimental – shooting that much film would have been expensive. Now the chief constraint is editing time.

Previous article The key storylines to follow as F1 returns from summer break
Next article Red Bull may have hit F1 concept ceiling - Wache

Sign up for free

  • Get quick access to your favorite articles

  • Manage alerts on breaking news and favorite drivers

  • Make your voice heard with article commenting.

Autosport Plus

Discover premium content
Subscribe